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Buy Musicals Classics 50 Movie Pack Collection. Product: Musicals Classics 50 Movie Pack Collection Average customer review: Amazon Price: Sale Price Too Low To Display Click Below To See Amazon Sale Price Add to cart to see discount price@ Availability: In Stock Usually ships in 24 Hours Free Shipping At Amazon

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Treeline Films (Now called Mill Pond Films) has swept together some intriguing Public Domain features and shorts in this, another of their 50 movie megapacks. Eight of the 50 movies (and an additional two short subject collections) are rarely seen shameful budget musicals from the ’40s featuring all African - American casts. A couple of them are shows filmed at the historic Apollo Theater in Harlem. I am enjoying watching the other features, which range in quality but are generally glorious obedient - I’d rate them a 7 or 8 out of 10. Mill Pond’s marketing philosophy (like that of Platinum Disc Corp.) is to offer boxed sets of older films figuring there’s going to be enough titles in them which you (and I) will want to observe. I’m joyful I bought this plot, along with some of their other megapacks. Positive, it duplicates some of the PD titles I already have, but in most cases the quality of the Mill Pond titles is better than the Alpha, Appreciate Chest or other grievous cost DVD distributor’s titles. If you are nit picky on having the highest quality, stick to regular “studio releases”. If you want to observe some highly interesting features most studios have forgotten about, and can live with spliced and scuffed films, try one of the Mill Pond 50 movie megapacks!

1947 Fabulous Dorseys, The Tommy Dorsey Jimmy Dorsey Paul Whiteman

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1947 Calendar Girl Jane Frazee William Marshall Victor McLaglen

1941 Sunny Anna Neagle Ray Bolger Edward Everett Horton

1944 Swing Hostess Martha Tilton Iris Adrian Charles Collins

1930 Dixiana Bebe Daniels Bert Wheeler Robert Wolsey

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1934 Palooka Jimmy Durante Lupe Velez Stuart Erwin

1929 Glorifying the American Girl Eddie Cantor Rudy Vallee Noah Beery Jr.

1933 Check and Double Check Duke Ellington Freeman F Gosden Charles J Correll

1939 Paradise in Harlem Mamie Smith Frank L Wilson Norman Astwood

1946 Duke is Tops, The Lena Horne Ralph Cooper Laurence Criney

1947 Reet, Little and Gone Louis Jordan June Richmond Milton Wood

1948 Killer Diller Nat King Cole Johnny Miller Oscar Moore

1945 Delightfully Unsafe Jane Powell Ralph Bellamy Arthur Treacher

1942 Private Buckaroo Andrews Sisters Shemp Howard Donald O’Connor

1943 Stage Door Canteen Kenny Baker Tallulah Bankhead Edgar Bergen

1943 Career Girl Frances Langford Edward Norris Iris Adrian

1941 Second Chorus Fred Astaire Paulette Goddard Artie Shaw

1944 Trocadero Rosemary Lane Johnny Downs Ralph Morgan

1946 People Are Comical Jack Haley Rudy Valee Art Linkletter

1946 Doll Face Dennis O’Keefe Perry Como Vivian Blaine

1929 Great Gabbo, The Eric Von Stroheim Betty Compson Donald Douglas

1936 Dancing Pirate, The Frank Morgan Charles Collins Steffi Duna

1941 Road Indicate Adolph Menjou Carole Landis John Hubbard

1943 Hi Diddle Diddle Adolphe Menjou Martha Scott Dennis O’Keefe

1956 Rock, Rock, Rock Tuesday Weld Chuck Berry Valerie Harper

1934 King Kelly of the USA Edgar Kennedy Guy Robertson Irene Ware

1955 Rock N’ Roll Revue Duke Ellington Nat King Cole Lionel Hampton

1955 Rhythm and Blues Revue Nat King Cole Sarah Vaughn Count Basie

1946 Till the Clouds Roll By Judy Garland Frank Sinatra Dinah Shore

1941 All-American Co-Ed Johnny Downs Frances Langford Noah Beery Jr.

1947 Hi Di Ho Cab Calloway Ida James Jeni Le Gon

1946 Breakfast in Hollywood Bonita Granville Beulah Bondi Zasu Pitts

Soundies Festival Ethel Waters Eddy Green Dusty Fletcher

Soundies Cavalcade Lena Horne Teddy Wilson Dusty Fletcher

1930 Reaching For The Moon Douglas Fairbanks Bebe Daniels Edward Everett Horton

1951 Mr Imperium Lana Turner Ezio Pinza Debbie Reynolds

1951 Royal Wedding Fred Astaire Jane Powell Peter Lawford

1957 Pied Piper of Hamelin, The Van Johnson Jim Backus Claude Rains

1962 Wild Guitar Arch Hall Jr. Nancy Czar Arch Hall Sr.

1941 Murder With Music Nellie Hill Alston Bob Dillard

1952 Jack And The Beanstalk Bud Abbott Lou Costello Buddy Baer

1946 Road To Hollywood, The Bing Crosby Bud Pollard Marion Sayers

1936 Big Exhibit, The Gene Autry Smiley Burnette Kay Hughes

1962 Black Tights Cyd Charisse Maurice Chevalier Moira Shearer

1941 Fiesta Anne Ayars Jorge Negrete Armida

1941 Let’s Go Collegiate Gale Storm Frankie Darro Marcia Mae Jones

1940 Up in the Air Frankie Darro Marjorie Reynolds Mantan Moreland

1944 Minstrel Man Gladys George Benny Fields Alan Dinehart

1937 Rhythm in the Clouds Patricia Ellis Warren Hull William Newell

1936 Sitting on the Moon Grace Bradley Roger Pryor William Newell
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Watch The Men Who Killed Kennedy Online. Product: The Men Who Killed Kennedy Average customer review: Amazon Price: Sale Price Too Low To Display Click Below To See Amazon Sale Price Add to cart to see discount price@ Availability: In Stock Usually ships in 24 Hours Free Shipping At Amazon

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Parts 1-6 are colossal. But Parts 7-9 are a MUST Examine.

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DO NOT Retract THIS, Build THEM OFFICIALLY RELEASE PARTS 7-9

THE FINAL CHAPTER:

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Part 7: Smoking Guns: (The Secret Service failings and possible autopsy fraud and cover-up)

Part 8: Savor Affair: (A Woman comes forward claiming to be Lee Harvey Oswald’s mistress.)

Part 9: Guilty Men: (Glimpse the allegations that Lyndon B. Johnson had JFK killed.)

I acquire parts 7-9 and they are the best parts!

It’s time we win out why JFK was killed and why our government continues to cloak it up.

The version here, is missing the three “well-behaved” episodes — the ones that aren’t the same mature clips we’ve seen for 40 years. “The Men Who Killed Kennedy, the Final Chapter” is the one you want.
If a version doesn’t have;
. The Appreciate Affair
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. The Smoking Gun
– Then don’t grasp it.
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Big Wednesday Movie Streaming. Product: Big Wednesday Average customer review: Amazon Price: Sale Price Too Low To Display Click Below To See Amazon Sale Price Add to cart to see discount price@ Availability: In Stock Usually ships in 24 Hours Free Shipping At Amazon

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John (”Conan the Barbarian”) Milius wrote and directed this underrated, but famous beach movie that is considerable more than first meets the witness.

What is most memorable is the terrific second unit sizable wave cinematography by distinguished Imax and surf photgrapher Greg MacGillivray. But the undercurrent (no pun intended) is a troubling account that grew from Milius’ memories about his believe surfer buddy friendships on the day — a vast Wednesday — when Watts was going up in flames and the surf was peaking.

Almost a sizable film that in retrospect was far and away more prescient than given credit at the time. Jan Michael Vincent, Gary Busey and William katt are perfect as the friends seeking meaning and purpose as they depart through ten turbulent years starting in the mid-60s.

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This title, like Monte Hellman’s “Two Lane Blacktop” and Dennis Hopper’s “Easy Rider” is a legendary film with a devoted cult following that looks at a specific time in America through the eyes of lost innocence.

“Gigantic Wednesday” is finally available in a pristine widescreen DVD transfer with an insightful, witty, and at times almost poetic commentary by writer director Milius.

This movie is regarded as a surf classic and rightly so. Slickly produced, consisting of a series of vignettes over 13 years it gives a non-surfing person a revealing insight into the surf culture. The still-thorny lisp of the Vietnam War is dealt with and the transition from the swinging sixties into the seventies is handled very well (a technique John Milius perfected in his 1983 classic Peculiar Valor which incidentally pre-dated the worthy hyped Rambo First Blood II by nearly two years) . The climax of the film is the surf footage at the slay depicting the legendary day of a lifetime, Enormous Wednesday. The only negative is the idea that the two stars, Jan Michael Vincent and Gary Busey threw away their lives after this movie due to drug addiction (Busey almost died from an overdose in 1994) . Another negative is that some of the surfing terminology in the book didn’t design it to the film. In the book, the car is referred to as “The Makeshift” - it isn’t in the film. Calm, if you cast these things out of your mind for 100 minutes you will experience something truly special. You won’t be disappointed.
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Buy Bullitt DVD. Product: Bullitt Average customer review: Amazon Price: Sale Price Too Low To Display Click Below To See Amazon Sale Price Add to cart to see discount price@ Availability: In Stock Usually ships in 24 Hours Free Shipping At Amazon

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Arguably the best crime film of 1968, and certainly one of the most influential films of the genre….”Bullitt” established recent directions in the mood and style of crime thrillers, and firmly established McQueen as one of the key anti-hero stars of the 60’s. Based on the gritty modern “Peaceful Peep” by Robert L. Pike, this was the first, and only, time McQueen portrayed a police officer (albeit a maverick one) in his movie career. In 1968 Steve was then riding high on the success of his previous heist film, “The Thomas Crown Affair”, and “Bullitt” fair propelled his star even higher into the cinematic heavens!

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The position is tight, economical and well crafted….taciturn, sulky Detective Frank Bullitt (McQueen) is charged with the protection of a key search for notable to an upcoming trial attractive Mafia connections. Whilst hidden away in a supposed fetch status, the notice and his police guard are brutally gunned down by unknown assailants. The heat is turned up on Bullitt by his tough Captain (Simon Oakland) and the manipulative, opportunistic politician Walter Chalmers (Robert Vaughn) to approach up with the legal answers like a flash! Between the draining investigation, Bullitt struggles to enjoy his relationship with his cultured, sensitive girlfriend, Cathy (Jacqueline Bisset)

Primarily coming from a TV series background, Englishman Peter Yates (directing his fourth movie) did a commendable job as director on “Bullitt”…producing a complex, intense crime thriller with a fresh style that would ultimately influence many other films. Yates would later to go onto inform tough guy Robert Mitchum in the profitable 1973 “sleeper” crime film “The Friends of Eddie Coyle”!

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And of course “Bullitt” is reknowned for it’s now legendary car slip between Frank Bullitt’s 390 GT Mustang and the two hitmen in their dusky, Dodge Charger 440 Magnum barrelling through the city streets and highways of San Francisco….unbiased don’t pay too remarkable attention to how many times they pass that slow-moving, green VW Beetle!!

The DVD transfer is respectable in both sound and report quality, and the Shrimp Edition Collectors Site with the additional goodies (Single sheet poster, shooting draft, lobby cards etc.) is a exact bonus for alive to film fans!!

One of my favourite cop thrillers….McQueen sizzles on camouflage!!

I have read GQ and other men’s fashion magazines for the last 20 years. No single person is mentioned as a men’s style icon more often than Steve McQueen, and this movie defines his style most clearly. What I judge that is not often understood, is why his style is so beloved. It is minimalist, yes, but also, this is someone not playing the middle class America game.

1) He lives in a minute apartment. The furniture is ordinary, with a few hip 60’s touches. (Discover for the recount over his bed, his paisley bathrobe, the chilly paper hanging lampshade, and a couple of hippie style items on the walls) . You come by the impression he owns about six pairs of clothes at most. He eats cheap frozen dinners (except for the occasional date at the wintry San Fran Restaurant) . He is not wasting this time and life keeping up with the Jones’s.

2.) He is not climbing the career ladder. On this case, he doesn’t give a plan to politics. He is not chasing the American ideal of success.

3.) Scrutinize closely and you will glimpse his car, the most famed in any movie ever, is a olive drab color. Not candy apple sparkling red. It is a Mustang, a symbol of blue collar America. It is dusty, and he parks it in the street, not a garage. He does not scrutinize it for door dings every time he goes out to it. It has dents in it. You pick up the impression he doesn’t exercise his free time polishing and waxing it.

4.) He doesn’t employ his time chasing money. He spends it on his job, trying to do what he thinks is fair, not what is marvelous for office politics and promotion.

5.) His clothes are 60’s pre-hippie fashion perfection (study for the extremely tapered legs, the suede loafers, and of course the illustrious tweed blazer and blue turtleneck) .

In summary, I mediate it is humorous that people idolize McQueen’s personal style in this movie and yet they don’t realize why. It is not objective the stoicism, or minimalism. It is the stale fashion American values (deem Traditional West) . Impartial something to assume about as you seek one of my accepted movies of all time.
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Buy The Legend of 1900 Blu-Ray. Product: The Legend of 1900 Average customer review: Amazon Price: Sale Price Too Low To Display Click Below To See Amazon Sale Price Add to cart to see discount price@ Availability: In Stock Usually ships in 24 Hours Free Shipping At Amazon

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“The Myth of 1900″ is a movie unlike almost any other I have seen. It takes plot entirely on a ship at sea, but the action spans more than 40 years. It is the fable of a musical genius who is born, lives out his life, and ultimately dies on board a sizable trans-Atlantic liner in the first half of the 20th century. He watches the world pass him by unbiased a few thousand people at a time, has a improbable piano-duel with none other than Jelly Roll Morton, is sought after by recording companies, and listens to and learns from the music of all the different cultures who are emigrating from the Feeble World to the Modern, but he never once leaves the ship. Indeed, the mere conception of setting foot on land is his ultimate nightmare.

I remember having a guest over one evening who was seeing it for the very first time. His reaction (after wiping a bound from his recognize) was to philosophize “what a improbable movie! How did anyone even win a film that quirky made? ” There is no Hollywood ‘formula’ to this film. It proceeds without any of the usual conventions: no apt guy vs. awful guy struggles, no sex, no violence, and no indecent jokes. It is like that really grand book that you originate reading one night when it is already too slow but are unable to build down until you have turned the last page.

How did this terrific movie high-tail under the radar?

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It’s about the nature of art, the power of music, the mystery of friendship and admire. Most of all, it’s about how our fears prevent us from experiencing the immensity of life.

When was the last time you saw a movie tackle issues like this?

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The widescreen production is comely to notice. It’s rare to survey an art house film executed with such first-class grandeur. The acting is also uniformly superior. And the gain is scrumptious.

If you liked THE PIANO or AMADEUS, prepare to be blown away.
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Die Hard Collection Review. Product: Die Hard Collection Average customer review: Amazon Price: Sale Price Too Low To Display Click Below To See Amazon Sale Price Add to cart to see discount price@ Availability: In Stock Usually ships in 24 Hours Free Shipping At Amazon

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First, let me open by saying I like the Die Hard movies. So when I saw this collection on BD, I objective couldn’t refuse!

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You already know the movies, so let’s obtain to the overall package.

Positives:

+ DTS MA on every movie that really reinvigorates the films

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+ First-rate area of extras, not a single feature from the standard DVDs is left out, making you judge these are the definitive versions to have

+ Special box saves you area on shelf and keeps discs qualified. It’s a puny bigger than the Planet Earth - The Complete BBC Series [Blu-ray] boxset (without the slipcase) .

+ Exactly the same discs as individual releases, so you’re not getting gimped versions of the already released BD movies –they’re the same.

+ Live Free or Die Hard is a total show-stopper, demo material, A+ reference disc. Both in terms of video and audio, this is one of the best movies to showcase what High Definition is all about (and the movie itself is a huge glide, btw)

Negatives:

- In the first three movies, both subtitles and dubs in spanish are CASTILLIAN, not Latin American. Why on earth did FOX included castillian dubs/subs on an AMERICAN, space locked disc, goes beyond me. They should know by now that most latin people Disfavor the castillian dubbing, specially when these movies have such grand announce acting. Granted, I always catch to gawk movies in their unusual languaje w/subs, but there’s always the chance to borrow or explore the movie with people that lift to hear it in their believe language. Even the regionalized castilian subtitles are distracting. This is not a spot on the 4th movie. The impart acting and subs are the method they should be for an american release.

- The first 2 movies stare downright bad, to the point it seems you assign the SE DVD and upconverted it. Time is totally not an excuse: fair discover at the impressive video quality of Batman: The Movie [Blu-ray]: a 40 yo movie that looks absolutely improbable (more than it deserves, if I may be so daring) . And that flick is probably objective being released to develop a expeditiously buck on the batman fever, so FOX, you’re telling me you couldn’t give a AAA movie such as Die Hard a superb transfer? Arrive on…

- The 3rd movie looks blueprint better, but tranquil does not compare to the visual blast that is Live Free or Die Hard.

- The 4th movie is the theatrical, PG-13 version, not the UNRATED one. Again, what’s going on here! Simply save, FOX could have save both version on the same disc via seamless branching. This has been a reality since the days of DVD, and there are a couple BD that have this feature already, so NO excuse.

- The special features on every disc are Standard Def. only to the point most of them examine like VHS (this is no exaggeration) . Not a single fall of remastering cherish (let alone HD treatment) has been poured on even the alternate endings.

Bottom line? This is looking like a future double dip. If you don’t care for extras or hearing the movies in a language other than English, this will probably suit you radiant, even without the unrated lop of Live Free or Die Hard.

However, this is far from being the Definitive version of the movies to have, to the point of getting me wondering if FOX actually knows the fact that this edition of the movie should be the one for all the american continent. Moreso, I’m left guessing if they care about what their public wants: both their High Definition users and their non-north american audience.

When I assume Blu-ray, I quiz high quality video and sound, otherwise there is no point to buying a blu-ray version of an already existing dvd.

The first two movies, Die Hard 1 & 2 from the 80’s, view abominable visually. FOX did a unsuitable job in re-mastering these for blu-ray, or they did not re-master them at all. It is possible they broken-down the regular dvd’s and objective up-converted them without remastering/restoring them digitally. Sound is decent. The third film, Die Hard with a Vengeance is more fresh from the 90’s, but it doesn’t observe mountainous. The fourth film does eye top-notch and sounds gargantuan, but it would be more convenient to unprejudiced grasp the fourth film as a blu-ray version and rep the first three on regular DVD if you don’t acquire them already. You would effect a lot more money and you would be getting the same thing as this box station here. FOX definitely messed up with this whole location.
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Buy The American President. Product: The American President Average customer review: Amazon Price: Sale Price Too Low To Display Click Below To See Amazon Sale Price Add to cart to see discount price@ Availability: In Stock Usually ships in 24 Hours Free Shipping At Amazon

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“The American President” is a terrific movie about politics, romance, sex, and right life. Michael Douglas leads a terrific cast of characters that I care for to hear talk to each other over and over again. I’ve seen this movie so many times, I nearly have it memorized. President Andy Sheppard (Douglas) is having problems pushing his crime bill through Congress, but those problems intensify when he finds himself falling for the stunning environmental lobbyist Sydney Ellen Wade (Annette Bening) . The press is all over them from every angle, and Sheppard’s 63% approval rating is dropping like a rock. The romance in this sage is sweet, but it takes second position to the witty dialogue written by “Sports Night” creator Aaron Sorkin, which makes every character equally scrumptious. Martin Sheen should have won an Oscar for his performance as White House Chief of Staff A.J. Mackinerny, and Michael J. Fox is terrific as Louis Rothchild, who delivers a enormous speech in the film. The two leads, Douglas and Bening, are colossal together, and for every moment they are on the veil together, we forget that we’re watching a movie. Catch Reiner does a terrific directing job, and turns out a movie that surpasses “When Harry Met Sally.”

Everyone knows this is a terrific movie! Those of us who are also DVD fans have waited a couple of years for this to appear on DVD. What a let down!! Buy, where are you man!!!

This a abominable transfer with lots of artifacts and someone trying too hard to sharpen the image. To earn matters worse this disc has very exiguous extras. Ok, it’s out so let’s proceed to the “collector’s edition” so Warner can derive a few more bucks and we can score a disc more suitable of this huge movie!!
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The Getaway Review. Product: The Getaway Average customer review: Amazon Price: Sale Price Too Low To Display Click Below To See Amazon Sale Price Add to cart to see discount price@ Availability: In Stock Usually ships in 24 Hours Free Shipping At Amazon

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This film has it all, and I cannot understand those who say it hasn’t primitive well. It’s a broad bank robbery film. It’s a vast prison film. It’s a colossal gallop film. It’s a vast admire legend. It fires on all cylinders. The depth and complexity of the chronicle and the performances are peerless. It’s a sprawling yarn over several days, with many principal and complex characters, all of whom you feel you know with some depth. Even the cramped roles are standouts, including Ben Johnson as the hooked sherriff, and Dub Taylor in what should have been a throwaway fraction playing a hotel clerk. The only old-fashioned place for me over the years is Ali McGraw who, although elegant and believable, seems to be playing it so minimalist that she becomes nearly transparent. But that’s a limited nit to prefer - her by-play with McQueen is position on. When I saw it for the first time the first opinion that came into my mind was “these kids really recognize and act MARRIED…” which is a tough bit of business to play. Their violent adore for one another is the undercurrent here, their desire to simply be left alone, to obtain it in life, to derive away from their problems.

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The artistry is in the details, in the exiguous brush strokes - the plan McQueen holds and uses his .45 automatic are perfect. He is definitely more than fair another actor handed a pistol and said “Here, fill this…” Slim Pickens has a little gem of a role at the waste and in a few brief sentences we learn volumes about his sweet, murky life, and cheer his well-behaved fortune for running into our heroes. The Sherriff’s flunky sidekicks provide some objective humor, all colossal cowboy hats and beer guts crammed into a Cadillac convertible.

McQueen was such an artist, and this is a accurate masterpiece of his almost haiku design of acting. He’s the master of the limited gesture, the subtle peek, the deadpan line that unbiased turns you chilly inside. What a shame he left us so soon. The Getaway stands as a valid testament to his genius.

Unpredictable, volatile, abrasive, and the only man Charlton Heston ever threaten on a dwelling of a movie (Major Dundee) …I’m talking about `Bloody’ Sam Peckinpah…like him or disapprove him, the man knew how to enlighten a myth, one that could entertain not only the average film patron with loads of action and violence, but also the haughty, oft-times snobby film critics with his thoughtful and insightful characterizations…actually, I contemplate these same, snobby critics actually got off secretly on being able to devour the more visceral elements of his films while quiet being able to tout them on a cerebral level…like a guilty pleasure without the guilt. But that’s not to say Peckinpah’s films were always critically celebrated…I know his film Bring Me the Head of Alfredo Garcia (1974) took a beating, but I enjoyed the hell out of it, in all its fine dirty, sweaty, dust-caked, fly-ridden seediness…based on a current by Jim Thompson (The Grifters) and adapted for the hide by Walter Hill (The Warriors, 48 Hrs.), The Getaway (1972) stars Steve McQueen (The Handsome Seven, The Mountainous Elope), the man many occupy to be the penultimate in machismo and frosty, on and off the conceal. Co-starring with McQueen is the very aesthetic Ali MacGraw (Care For Epic, Convoy), who became so enamored with her co-star she actually left her husband at the time, movie producer Robert Evans, to be with McQueen, and thus gave up the opportunity to star in several high profile films like Chinatown (1974) and The Vast Gatsby (1974) …yes, the lure of the McQueen is a strong one…also appearing is Peckinpah popular Ben Johnson (Major Dundee, The Wild Bunch, Junior Bonner), quintessential heavy Al Lettieri (The Godfather, Mr Majestyk), Sally Struthers (Five Easy Pieces), whose most novel work include the tearful pleas to feed the starving children (which would probably be a lot more effective if she wasn’t so heavyset…there I said it), Slim Pickens (Blazing Saddles), Richard Sparkling (The Godfather), `Rub a Dub’ Dub Taylor (The Wild Bunch), Jack `Howard Sprague’ Dodson (”The Andy Griffith Indicate”), and Bo ‘Knows’ Hopkins (The Wild Bunch, White Lightning) .

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The film begins with scenes of a Texas prison, focusing on one inmate in particular, that of Carter ‘Doc’ McCoy (McQueen), who’s in his fourth year a ten-year stretch for bank robbery. After being denied parole, Doc agrees to reduce a deal with a politically noteworthy and atrocious individual named Jack Beynon (Johnson), who honest happens to also be a member of the parole board (that’s convenient) . The deal involves, on being released from prison, that McCoy pull a bank job for Beynon, which he does, and while McCoy’s meticulous planning nets the robbers a ample amount of cash, things speedily drop apart as there’s a couple of jokers in the deck (one of them being one of the men McCoy got saddled with by Beynon), and the double execrable is in, but McCoy isn’t going down without a struggle, and he’s certainly not going aid to the joint. Now McCoy and his wife Carol (MacGraw) must manufacture their intention to El Paso with the money, avoiding acquire by the authorities (by this time McCoy’s face is plastered all over the news), Beynon’s trigger-happy goons, and one of the aforementioned jokers, all in a pain to create it safely across the border into Mexico.

While not my celebrated Peckinpah film (I’ve always been partial to The Wild Bunch), The Getaway is calm an fine film with strong themes and unprejudiced an all around titillating sage, assisted by righteous cast. One thing I’ve noticed about Peckinpah is his ability to picture valuable aspects of sage through visual means, carefully crafted shots and sequences, and manufacture it watch easy. A perfect example in this movie is the opening sequences with McQueen’s character in prison. We learn remarkable about him, and feel a sense of the frustration and oppressive nature of his incarceration on his mental well-being to where desperation finally pushes him to the point of doing something he would normally wouldn’t in that of working for Beynon. Of course, this wouldn’t have worked as well with out McQueen playing the role, as his presence is the strong point throughout the film. I’ve heard some comment of MacGraw’s acting abilities (or lack of), but I assume this was honest a case of having to fraction the camouflage with McQueen, and who could complete with that? Not many…I believe she did really well, avoiding some over dramatic pitfalls others would have succumbed to in the role…and then there’s supporting cast and the sense they were truly hand picked for their roles, providing, complex, distinctive, and believable characters. I’ve also heard complaints about how the chronicle drags at clear points, and the action sequences uneven and too short, but I’d disagree. I idea the strength was in the collected moments before the storm, the pacing intentional, to allow for the audience to manufacture an view of the characters and view them not as two-dimensional constructs but living, breathing individuals willing to do what they have in order to salvage what they want…to me, the action sequences, while certainly a diagram for me to this film, were a fraction of a grand larger portion. There were a couple of really piquant aspects about this movie for me, one being that while Peckinpah’s trademark usage of boring motions shots during the violent sequences is display, it seemed a minute toned down from some of his other films, but that wasn’t a dreadful thing. The 2nd aspect was the sort of upbeat ending, which was a true departure given that many of Peckinpah’s films are permeated with fatalistic characters arrangement down inevitable paths of self-destruction. Some scenes to gawk for…Steve McQueen going to town with a shotgun…oh yeah, kiss that squad car good-bye (quite a few cars were killed in the making of this film) …Steve McQueen slugging Sally Struthers in the mouth…hey, you can’t have a Peckinpah film without a cramped misogyny, and while I would never advocate the spend of violence against a woman, I doubt there’d be few who wouldn’t agree that her highly annoying (and fairly sleazy) character was somewhat deserving…all in all this is a titanic film (powerful better than the 1994 Kim Bassinger/Alec Baldwin remake, in my view), with an exceptional script, acting, and direction, one that entertained me throughout, and reaffirms my concept of the possibilities of the cinema when in the hands of people who know (or knew) what they’re doing…

The report, presented in widescreen anamorphic (2.40:1), enhanced for 16 X 9 televisions, looks interesting and shipshape, and the Dolby Digital 1.0 audio comes through very well. The `Deluxe Edition’, which is the one I have, has a few extra features in that of a commentary track with producer Slash Redman, and Peckinpah biographers/historians Paul Seydor, Garner Simmons, and David Weddle. Also included is an current theatrical trailer, along with a `virtual’ audio commentary track with Sam Peckinpah, Steve McQueen, and Ali MacGraw that consists of 1972 audio interview material from the three, spliced together and played over the film.

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Buy National Lampoon’s Christmas Vacation Online.. Product: National Lampoon’s Christmas Vacation Average customer review: Amazon Price: Sale Price Too Low To Display Click Here To See Amazon Sale Price Add to cart to see discount price@ Availability: In Stock Usually ships in 24 Hours Free Shipping At Amazon

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Finally, after all this time, Warner Brothers have approach to their senses. On October 7th, we will be treated to a heftly helping of one of the greatest Christmas films to ever grace the silver cloak…………in WIDESCREEN.

I was extremely disappointed with the previous DVD release of this film which contained a pan & scan presentation and nothing more than a theatrical trailer in the extras department.

What we have here is a special edition of this large movie, which will acquire audio commentary from both Beverly D’Angelo and Chevy Scurry, a “making of” featurette, as well as other stocking stuffers which have yet to be disclosed at this indicate time.

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Being a stout fan of this movie, I honestly can’t wait for this release. “National Lampoon’s Christmas Vacation” has become a holiday tradition in my home, and to be able to view it the design it was intended to be seen is truly a treat for me.

Aside from the features of the disk, the film itself is the fair gift. One of the funniest movies today which mild withstands the test of time even 15 years later. The premise is simple. Clark W. Griswold (Chevy Trip) is hell crooked on having an former family Christmas in his home, relatives and all. Of course, the hilarity kicks in when things commence to go awry. There are so many hilarious scenes in this movie, it would be difficult to list them all. You have everything from an electrocuted cat, to a house with the brightest Christmas light note known to man. Let’s not forget the dried up turkey, the saucer sled and the dog/squirrel skedaddle! There’s so grand more I could say to praise this movie, but if you haven’t already seen it, [I won't say more]

You really bewitch your life in your hands every time you sit down with a Chevy Trudge film. Let’s face reality here: Chevy Inch is responsible for several of the worst movies ever made. Does it seize more than a few minutes of viewing to discover the mind numbing folly of “Nothing But Anxiety,” “The Three Amigos,” and “Spies Like Us”? Streak has definite had his truly embarrassing moments on the ample veil. What redeems the guy, at least in my eyes, are several films that play up to the comedian’s shining alecky, deadpan delivery. “Fletch,” of course, is the gold standard of Chevy Bound films, but other movies showcase his talents impartial as well. I always plan “Deal of the Century” a classic Tear film, as well as “Substandard Play” (although the latter was more of an ensemble report) . But we need stare no further than the four National Lampoon Vacation films to truly contemplate the merits of this comedian turned actor. Actually, I should say three Vacation films since the second installment, where the Griswold family went on a tour of Europe, ranks as one of the most abominable stories ever build on film. Of the three successful entries, “Christmas Vacation” is the best, perhaps even eclipsing the first movie that started it all.

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You won’t hear the familiar strains of Lindsey Buckingham’s “Holiday Road” in “Christmas Vacation,” and there are no corpses strapped to the top of a plot wagon either. Instead, the film invites us into the Griswold home for an mature fashioned Christmas celebration the likes of which soon approach catastrophic levels. Clark (Chevy Scramble) and Ellen (Beverly D’Angelo) Griswold, along with their disinterested kids Audrey (Juliette Lewis) and Russ (Johnny Galecki), invite the whole family over for a season filled with happiness. Clark’s parents Clark Sr. (John Randolph) and Nora (Diane Ladd) note up, as does Ellen’s folks Art (E.G. Marshall) and Frances (Doris Roberts) . And yes, even Cousin Eddie (Randy Quaid) makes an appearance to keep the day. Of course, along with the family comes the inevitable frustrations and stresses everyone who has ever dealt with a reunion dreads. Clark Griswold refuses, at least initially, to descend into a morass of cynicism and despair amidst the bickering and insults. His invention of a current milk preservative has our hero hoping his Christmas bonus will be extra substantial this year, colossal enough so he can install an in ground swimming pool in the backyard. Unfortunately, his boss Frank Shirley (Brian Doyle-Murray) is a scrooge with plans to acquire the company more fiscally conservative.

While he waits for the check to approach at the house, Clark embarks on several hilarious projects that haul in the belly laughs. His attempts to shroud every square stagger of his house with Christmas lights is a chore requiring several falls off a ladder, pointed verbal repartees with his snotty neighbors Margo and Todd Chester (Julia-Louis Dreyfus and Nicholas Guest), and repeated failures to catch the strands to light up. The acquisition and installment of the Griswold family Christmas tree is another chore handled in Clark’s inimitable style. Imagine the pine they string up in Rockefeller Square every year, subtract roughly five feet from its height, and you have the tree Clark insists on setting up in the house. This thing is so immense that the branches knock out the windows when Griswold cuts the rope holding the branches together. No Yuletide season, however, would be complete without a straggle to the slopes for a sledding excursion, an event filled with disastrous implications when Griswold comes up with the sparkling opinion to mask the bottom of his sled with a Teflon based substance. My celebrated scenario involves Clark trapped in his attic for a few hours. He spends his time dressed up in women’s clothing (to quit warm) watching venerable home movies of his childhood. His abrupt plunge through the trap door had me laughing for hours afterwards.

Buy,Download, Or Stream National Lampoon’s Christmas Vacation! Click Here

Buy,Download, Or Stream National Lampoon’s Christmas Vacation! Click Here

The cast of “Christmas Vacation” gels fantastically, far better than any cast in the other three films. Kudos as always go to Randy Quaid as the squirrelly moocher Eddie; a film in this series unbiased wouldn’t be the same without this character driving Clark to fits of distraction. Beverly D’Angelo is one of those actresses who procure hotter and hotter with age. The linchpin of the film is, as always, Chevy Dart as the concern prone Clark Griswold. This is a role tailor made for his mark of clumsy, caustic humor. I don’t know about you, but Chase’s depiction reminds me in many ways of my believe father–he won’t listen to the advice of anyone else, his ideas are the best ideas, he tosses safety to the wind when working on risky projects, etc. But like my Dad–and probably countless other fathers–Clark is genuine and wants his loved ones to have astonishing family memories. The film works so well, I suspect, because most of us instantly peruse his character traits in our have beloved family patriarchs. Especially when Clark can’t stand the pressure anymore and launches into one of his over the top tirades, again a trademark of our acquire fed up fathers.

Although the DVD carries the “Special Edition” ticket, the extras are surprisingly sparse. A trailer and a commentary constitute the sum total of goodies available on the disc. Moreover, the commentary doesn’t include Chevy Roam. At least you hear Randy Quaid, Beverly D’Angelo, Johnny Galecki, Miriam Flynn (Eddie’s wife Catherine), director Jeremiah Chechik, and producer Marty Simmons, but why no Clark W. Griswold? Perhaps he wanted too mighty money. His absence is unhappy and mars what is otherwise a gigantic commentary track. I don’t even wait until Christmas to gape this movie; it’s fun works year round. If you haven’t seen it yet, you ought to immediately. You’ll appreciate it.

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This movie is actually a filmed version of a play and this is determined in the viewing; the director doesn’t effect exercise of all the potential of the medium, it’s filmed all in one capture (unbiased as a play goes from begin to enact in one go), and the scene transitions are abrupt and dreadful. That being said, this film deserves no other criticism; it is certainly the finest I’ve ever seen and, I would argue, a expansive movie in the English cinema. What makes it deserve such praise is that the acting is all very convincing and compelling, the costumes and staging are sublime and the script is, simply attach, intelligent. The unusual title of the work fuctions as an pleasurable summary: “The assasination and persecution of Jean-Paul Marat as performed by the inmates of the asylum at Charenton under the direction of the Marquis de Sade.” Spot in the Napoleonic era eighteen years after the French Revolution, the Marquis (imprisoned for both political and sex crimes) directs the mentally ill inmates in a stylized recreation of the abolish of Jean-Paul Marat (a rabid Jacobin, confined to his bathtub by a skin disease, who wrote the most sanguinary Revolutionary propaganda) by Charlotte Corday (from a excellent background, but actually a partisan of the Girondin Revolutionaries who had been purged by Marat’s party) . This is a highly cerebral play and, although the scrip (a translation of Peter Wiess’ play) takes a very few liberties with the historical facts, a knowledge of the Revolution greatly helps in concept and appreciating this sometimes obscure movie. There are actual radiant pyrotechnics in the debates between Marat and de Sade, and the Marat’s monologues are filled with stunning revolutionary polemics. Corday is very well played, and her scenes are some of the most emotionally intense. The intelligent script, which doesn’t shrink from tackiling huge Ideas, combined with the substantial execution perform this a proper movie. Or rather film.

This 1966 film depicts the Marquis de Sade’s imprisonment in a mental asylum and a play that he directs using the other inmates as actors. The yarn of Sade was recently related in “Quills,” and that film is somewhat similar in tone, but not situation. Absorb it or not, the film is also a musical! The “play” within the movie chronicles events from the French Revolution pertaining to Marat, and is build on for the asylum’s leader and the local gentry. The local gentry are apprehensive at times, and the asylum leader interrupts the play several times with interjections concerning the play’s radical ideas and how the gentry are depicted. As the play reaches its culmination, the inmates inevitably launch to stage their contain revolution. The action is often confusing, but the emotions conveyed are so intense, that the film can be enjoyed on a visceral level.

The direction of this film is quite radiant, and it must have been delicate unpleasant when it was released 36 years ago. The acting is also very intense and realistic. Glenda Jackson has her starring debut here and is quite challenging, considering that she’s playing a mental asylum inmate. The only quibble I have with the DVD is the unpleasant sound quality. Even on DVD, the sound is muddled and the actor’s dialogue is often unintelligible, especially during the songs. Unfortunately, the DVD does not include captions/subtitles, which would have helped immensely (there are no other extras either) . A very worthwhile movie that could have been presented better on this DVD.
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